Posted by: caribbeanbookblog | June 7, 2013

Malorie Blackman is UK Children’s Laureate

malorie blackman

British writer, Malorie Blackman has been named the United Kingdom children’s laureate.  She is the first black woman to be appointed to the position which is awarded in Britain once every two years to a distinguished writer or illustrator of children’s books..

Blackman has received numerous prizes for her work over the years, including the Red House Children’s Book Award and the Fantastic Fiction Award. In 2005 she was presented with the Eleanor Farjeon Award in recognition of her contribution to children’s books, and in 2008 she received an OBE for her services to children’s literature. The following is from the Guardian:

This week Blackman, now 51, was named the eighth children’s laureate, a position she inherits from mega-selling Gruffalo author Julia Donaldson and will hold for two years. At the announcement of her appointment in London on Tuesday, a few days before publication of her latest novel for teenagers, Noble Conflict, she looked delighted. “I think younger children have been incredibly well served by the laureates we’ve had, but maybe teenagers haven’t had as much of a look-in, so I’m looking forward to redressing the balance,” she said.

Blackman is also the first black laureate and a forceful advocate for black and ethnic minority children’s needs and rights. In making up her mind to write about black people in 1980s London, she grabbed a baton previously held by African-American pioneers including Alice Walker and Maya Angelou, who in the 1970s and 80s did so much to popularise writing about black people’s lives. Read more

 
Posted by: caribbeanbookblog | May 25, 2013

Sighting and other poems of faith – new book by Robert Lee

John Robert Lee - Photo by Marion Nelson and Allen Sherman

John Robert Lee – Photo by Marion Nelson and Allen Sherman

John Robert Lee, one of St Lucia’s foremost poets, has launched a new poetry collection.

Entitled Sighting and other poems of faith, it represents a selection of the poet’s poems of faith written over 35 years and includes work from earlier collections as well as new work. It is simultaneously published by Xlibris (USA) and Mahanaim Publishers (St. Lucia).

The selection of poems in Sighting and other poems of faith marks the ‘pilgrim’s progress’ in Lee’s evolution as a poet over three decades. In them he sees his life and experiences through the lens of the Christian faith. His poetry is rooted in the flesh-and-blood reality of his times, even as he looks beyond to the transcendent promises of his faith.

St. Lucia, Boston, the 2010 Copiapó mine accident and rescue, and the recent calamitous earthquake in Haiti are the scenes to which Lee turns his perceptive gaze. The poems are accessible to anyone who loves a craftsman that transforms language into startling and provocative images.

Sighting and other poems of faith - cover

In 1993, at the launching of Lee’s poetry collection Translations, his St Lucian counterpart, Nobel laureate Derek Walcott said, “Robert Lee has been a scrupulous poet; that’s the biggest virtue he has, and it’s not a common virtue in poets, to be scrupulous and modest in the best sense, not to over-extend the range of the truth of his emotions, not to go for the grandiose. He is a Christian poet obviously. You don’t get in the poetry anything that is, in sense, preachy or self-advertising in terms of its morality. He is a fine poet.”

Commenting on Lee’s poetic prowess, St Lucian writer and newspaper columnist, Vlaidmir Lucien said, “Lee’s politics have always been entwined with the spiritual world where he finds shapes, archetypes that predict the various, repeating circlings of time, in and out of disaster and forced-ripe apocalypse.”

The majority of Robert Lee’s works have been produced and published in St. Lucia, and like some of his contemporaries, his work is among those issued by international publishers. In 2008, his elemental: selected poems was published by Peepal Tree Press in the UK.

In 2007 he published Canticles, a collection of poems illustrated with his photographs. Other publications include Artefacts (2000), Saint Lucian (1988) and Vocation (1975). He compiled and edited Roseau Valley and other poems for Brother George Odlum (2003) an anthology representing 50 years of Saint Lucian poetry and art.

In 2006, he co-edited with fellow poet and playwright, Kendel Hippolyte Saint Lucian Literature and Theatre: an Anthology of reviews, published by the Cultural Development Foundation. He recently completed a Bibliography of St. Lucian Creative Writing 1948-2012, to be released by the Cultural Development Foundation later this year. He writes an occasional blog at Mahanaimnotes.blogspot.com. He created MAHANAIM Publishing.

For his part, Lee credits the celebrated Caribbean poet and scholar, Edward Kamau Brathwaite with planting into his consciousness the seed that ultimately bloomed into Sighting and other poems of faith.” When Lee emailed Braithwaite one of his poems, Braithwaite responded: “Have not yet got into the poem you sent but the first look is v/impressive and Quite some length!  Makes me want to ask you about yr religious Damascus, if i may put it that way.  in writing somewhere? or perhaps you’ve nvr specifically shared it?”

“This excerpt from an email to me from Kamau Brathwaite is the genesis of my new publication ’Sighting and other poems of faith,” says Lee.

He added: “That query in Kamau’s email got me thinking and I got a notepad and made some notes towards a prose ‘spiritual autobiography’, tracing my journey to a practising Christian faith.

“At some point, in all this rumination, the idea came to gather my poems dealing specifically with faith from my published collections and some new, unpublished work. It did not take long to put a manuscript together since most of my poems are on my computer.”

Lee tells more about his journey to publication in his blog Mahanaimnotes.blogspot.com. It’s well worth reading.

Robert Lee is a professional librarian, and has worked with the Castries Central Library and the Hunter J. Francois Library of the Sir Arthur Lewis Community College. He is presently the Information Manager of the Folk Research Centre.

In addition to being a poet, writer and columnist, Lee is a devout Christian, a Bible teacher, preacher and broadcaster.

Check him out on Facebook and view a sample of Sighting and other poems of faith here.

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E.E. Sule (Nigeria), Nayomi Munaweera (Sri Lanka), Lisa O’Donnell (UK) and Michael Sala (Australia), four of the 2013 Commonwealth Book Prize regional winners (Image credit; Commonwealth Writers.org)

E.E. Sule (Nigeria), Nayomi Munaweera (Sri Lanka), Lisa O’Donnell (UK) and Michael Sala (Australia), four of the 2013 Commonwealth Book Prize regional winners (Image credit; Commonwealth Writers.org)

Self-published Jamaican writer, Ezekel Alan is savouring the sweet taste of victory after being declared the regional winner for the Caribbean for the 2013 Commonwealth Book Prize. He takes home £2,500 for his novel, Disposable People and will go on to compete with the other regional victors to become the overall winner of £10,000. The final winner will be announced at the Hay Festival of Literature & Arts in Wales on May 31.

Commenting on his win, Alan said, “When I started writing Disposable People the story came out with such violence that I thought of it as therapy and catharsis rather than art. I knew from the outset that the novel was unorthodox; because of this, and the fact that it was self-published, I worried about whether it would be accepted by a mainstream audience. I am so encouraged by this recognition.”

disposable-peopleAlan stands out for his virtual anonymity as much as for his impressive win. According to Commonwealth Writers, the official Commonwealth Foundation portal that promotes the Commonwealth Book Prize, “he currently lives with his wife and kids in an architecturally noteworthy house in Asia.”

To date not a single photo of Alan has popped up on the internet. You can’t even find one on the Commonwealth Writers website.

A recent article in the Jamaica Gleaner newspaper citing his success in making it unto the Commonwealth Book Prize shortlist has no photo of him. Alan is a Jamaican.

Aside from his Goodreads page, precious little biographical information about Alan can be found elsewhere on the internet. His book is available online via Booktopia but it doesn’t seem to be on sale at any of the major online booksellers, not even Amazon.com.

Unlike many Caribbean writers, Alan doesn’t seem to make use of online social networks like Facebook. Moreover, it seems safe to assume that he’s yet to gain the attention of the Caribbean literati, at least outside of Jamaica. Given that he’s self published, lives all the way in Asia, and access to his book is limited, this will take some doing. Alan himself has admitted that he worried about the acceptance  his novel would receive due to its being self-published. Not having a publisher or agent to bat for him and help boost his image could well be one of the factors contributing to his seemingly low profile.

For what it’s worth, the prestigious American business magazine, Forbes and the Bookseller, a leading book-publishing industry newsmagazine have spotlighted him and highlighted his success in winning one of the Commonwealth Book Prize regional awards.

Sharon-MillarMeanwhile, Sharon Miller from Trinidad & Tobago has captured the Regional Prize for the Caribbean for the 2013 Commonwealth Writers Short Story Competition with her story The Whale House. Miller who has been hailed as one of the Caribbean’s latest emerging writers of talet, told Commonwealth Writers.org that she is thrilled by her win.

Writing is such an intensely solitary and private practice. It’s difficult to explain to people what you do and how you do it. Winning a regional leg of the Commonwealth Short Story Prize is thrilling (really thrilling!). It’s a powerful experience to realise  that your work can go out into the world ahead of you and hold its own,” said Miller. 

The Commonwealth Book Prize is awarded for the best first novel, and the Commonwealth Short Story Prize for the best piece of unpublished short fiction.

The Regional winners represent Africa, Asia, Canada & Europe, the Caribbean, and the Pacific regions. 

Commonwealth Book Prize 

Regional Winner, Africa
Sterile Sky, E.E. Sule (Nigeria), Pearson Education

Regional Winner, Asia
Island of a Thousand Mirrors, Nayomi Munaweera (Sri Lanka), Perera-Hussein Publishing House

Regional Winner, Canada & Europe
The Death of Bees, Lisa O’Donnell (United Kingdom), William Heinemann

Regional Winner, Caribbean
Disposable People, Ezekel Alan (Jamaica), self-published

Regional Winner, Pacific
The Last Thread, Michael Sala (Australia), Affirm Press

Commonwealth Short Story Prize

Regional Winner, Africa
The New Customers, Julian Jackson (South Africa)

Regional Winner, Asia
The Sarong-Man in the Old House, and an Incubus for a Rainy Night, Michael Mendis (Sri Lanka)

Regional Winner, Canada & Europe
We Walked On Water, Eliza Robertson (Canada)

Regional Winner, Caribbean
The Whale House, Sharon Millar (Trinidad and Tobago)

Regional Winner, Pacific
Things with Faces, Zoë Meager (New Zealand)

Posted by: caribbeanbookblog | April 19, 2013

Robert Devaux Passes Away

Robert J Devaux 0002

Robert J. Devaux, possibly one of the foremost authorities on the history, ecology and culture of St Lucia, passed away on Tuesday (April 16) at his home in Becune, Gros Islet in St Lucia after a short battle with cancer.

Born in Castries in 1934, Mr Devaux devoted most of his life to studying and documenting the history of St Lucia and the island’s natural habitat and ecosystems, as well as its rich and diverse cultural heritage. He was a strong advocate for the preservation of the island’s archaeological sites and its historical relics. Along with other local environmentalists he played a major role in helping to raise public awareness of the importance of environmental conservation and the protection of St Lucia’s unique ecology, wildlife and and landscape.

A former field engineer, Mr Devaux was an avid participant in archaeological digs. He is credited with re-discovering numerous   historical sites, including the ruins of early Arawak and Carib settlements and the forest hideouts of the Brigands, former runaway slaves considered to be the island’s first freedom fighters because of their resistance and rebellion against the brutal oppression of French and British colonists and planters in the mid to late 18th century.

On the basis of his research and findings, Mr Devaux posited the view that the Arawaks, St Lucia’s original settlers, thought that Yokahu, their God of Fire, was asleep in the bubbling pools of the island’s world-famous Sulphur Springs. Located in the south-western town of Soufriere, the Sulphur Springs are the Caribbean’s only drive-in volcano and the hottest and most active geothermal area in the Lesser Antilles.

sulphur Springs

The Sulphur Springs

Mr Devaux also concluded that the Caribs, who followed the Arawaks up the Eastern Caribbean island chain, would sacrifice virgins to appease their supposedly angered God during periods of intense hydrothermal activity at the Sulphur Springs.

In 1961 Mr Devaux founded the St Lucia Research Centre, producing dozens of research papers on a wide range of topics usually at the request of the government and corporate and private entities seeking (occasionally obscure) details of St Lucia’s past.

He was a former director of the St Lucia National Trust. Under his leadership and tutelage the organization was able to devise many practical ways to enhance the preservation of St Lucia’s natural, historical and socio-cultural heritage.

Some years ago Mr Devaux had planned to open the island’s first real museum in the capital, Castries. Unfortunately, his plans fell through due to lack of government support.

Over the years he wrote and published several books and articles including the monumental St Lucia Historic Sites (1975). He is also the author of They Called Us Brigands: The Saga of St Lucia’s Freedom Fighters (1997), A Century of Coaling in St Lucia (1975) and History and Analysis of Coastal Processes at Pigeon Island (1993).

He co-authored a History of St Lucia along with Dutch-born Jolien Harmsen and Guy Ellis, one of St Lucia’s best known and longstanding journalists, and a co-founder and former editor of the Mirror newspaper. Jolien Harmsen who currently resides in St Lucia, holds a PhD in Social History and has worked as a newspaper reporter and radio correspondent. She has written several historical studies. Hailed as the “first-ever detailed and comprehensive record of St Lucia’s turbulent past,”History of St Lucia was published in 2012 by Lighthouse Road Publications. It was originally commissioned by the British publisher MacMillan Caribbean, whose efforts to produce it were derailed by the 2008 world economic crisis. However, the three authors decided that such a vitally important book simply could not be abandoned at that stage and, given the tremendous amount of work that had already been put into the project, they decided to produce the book themselves.

(L-R) Guy Ellis, Jolien Harmsen and Robert Devaux - image credit, Lighthouse Road Publications

(L-R) Guy Ellis, Jolien Harmsen and Robert Devaux – image credit, Lighthouse Road Publications

In 1991 Mr Devaux was awarded an OBE for his significant achievements and outstanding service to his country. In 1993 he received a Paul Harris Fellowship Award from Rotary International and the Rotary Foundation. He was inducted into the St Lucia Tourism Hall of Fame in 1996. In 1998 he was the recipient of the M&C Fine Arts Award for Literature.

Posted by: caribbeanbookblog | April 9, 2013

Five Caribbean Writers Shortisted for Commonwealth Prizes

Shortlisted for 2013 Comonwealth Book Prize

Shortlisted for the 2013 Commonwealth Book Prize

Disposable People by Ezekel Alan has been shortlisted for the 2013 Commonwealth Book Prize. Alan, a Jamaican self published author, is the only Caribbean writer who made unto the shortlist. Three other Caribbean writers were shortlisted for the 2013 Commonwealth Short Story Prize – Barbara Jenkins and Sharon Millar from Trinidad and Tobago along with A.L. Major and Janice Lynn from the Bahamas.

The Commonwealth Book Prize is awarded for the best first novel, and the Commonwealth Short Story Prize for the best piece of unpublished short fiction. Writers from around the world have been shortlisted in anticipation of being announced as overall winners at Hay Festival, on May 31, 2013.

Encompassing a span of 54 countries, entries are judged within the five regions of Africa, Asia, Canada and Europe, the Caribbean and the Pacific, each of which will produce a regional winner for the two prizes. These will be announced on 14 May 2013.

Here’s more on the Caribbean finalists:

Disposable People by Ezekel Alan

EZEKEL ALAN was born and raised in rural Jamaica and spent his formative years under the Socialist regime of the 1970s. He currently lives with his wife and kids in an architecturally noteworthy house in Asia, has a good, reliable dog and a satisfyingly abundant supply of sweet, juicy mangoes. Inspired by true events, Disposable People is Ezekel’s debut novel. He is currently working on his second. 

Synopsis

Ten year old Kenneth Lovelace often went to bed without dinner. Instead of feeling hunger, however, what he mostly felt was fear and shame, knowing that his family’s poverty was the reason he had no food. Kenneth also recalls his bitterness whenever his parents locked him out of their tiny, one-room house to act on their ‘urge’. This was in the 1970s, when Jamaica’s socialist regime was dragging the country into bankruptcy, and when an Old Timer had told him that he was cursed since birth. Beginning with his earliest memories, “Disposable People” traces the life of Kenneth Lovelace, now a consultant living in the USA. After a string of failed marriages, bad relationships and other misfortunes, Kenneth looks back at his life in his old, hateful village with hopes of finding the roots of his latest tragedy. What comes out is a story of mischief and adventures, sex, prejudice, evil spirits, adversities and, progressively, violence.

Ezekel Alan in his own words: “Disposable People was a very difficult story for me to write, and for many reasons. A few readers and reviewers have commented that the novel reads like a memoir, and that the pain and emotions are so palpable that it is hard to regard it as a work of fiction. They are right – much of what is in the story is based on things that happened to me growing up.

“It took me close to two years to write the book, not because I didn’t know the story I wanted to write, but because I wasn’t sure I wanted to tell it. If one day you go home from school hungry (again) because you didn’t have breakfast or lunch and you ask your mother what’s for dinner, and her response is “Shit”, this memory will stay with you, but you will always be ashamed to talk about it. I struggled with writing about these things partly because I didn’t want to dishonor the memories of all the people I grew up with, many of whom have now died. In the same way, I’ve seen many dreadful things happen to the poor folks in our neighbourhood – murders, rapes, child abuse, and the brutal beatings and punishments meted out to gays and thieves. Before I could write about these things, I had to think hard about the image people have of Jamaica, and whether if I told the stories about the things I saw, heard, and participated in, people would think that I was unpatriotic or, as we say back home, a “sell-out” (betrayer).

“I love my country. It is the only place I will call home, and someday I hope to retire there. But the time came when I felt I had to tell this story. It is a work of fiction, but an awful lot of it is true.

“I am very surprised and deeply grateful for all the kind reviews and comments I have received so far. It has given me confidence and courage to write my next novel, which is now half-way complete.”  Read more on Ezekel’s Goodreads page

Below are the Caribbean writers shortlisted for the 2013 Commonwealth Short Story Prize.

A Good Friday, Barbara Jenkins  (Trinidad and Tobago)

Barbara-Jenkins-266x300A mysterious woman enters a strange bar straight from church one Good Friday, where  she meets a smooth operator bent on seduction. 

Barbara was born in Trinidad, where she continues to live and work. She started writing in what she calls her third life. A lifetime of geography teaching and child rearing in Trinidad ended with widowhood and the start of a second life teaching in the UK, backpacking through India, Peru and Cuba, visiting friends and relatives in Europe and North America and co-authoring a Health and Family Life Education textbook series for Caribbean schools.

The Cropper Foundation/UWI Creative Writing residential workshop 2008 heralded another new beginning. Encouraged by early recognition in international writing competitions including the Commonwealth Short Story, Caribbean Region 2010 and 2011, Wasafiri New Writing Life Writing 2009, Small Axe Fiction 2011, The Caribbean Writer Fiction 2010 and the CCN Film Review Prize, Trinidad & Tobago Film Festival 2012, Barbara embarked on an MFA in Creative Writing at the University of the West Indies, Trinidad, graduating in 2012.

Her debut collection of short stories, Sic Transit Wagon, published by Peepal Tree Press, UK, is due in summer 2013.

Antonya’s Baby Shower on Camperdown Road,  A.L. Major (Bahamas)

AL-Major-300x295A Bahamian woman reluctantly takes care of a young Haitian illegal immigrant, whose family drowned when a boat taking them to Florida capsized. The tensions between Bahamian citizens and illegal Haitian immigrants are explored as both groups struggle to hold onto their humanity, questioning the reader’s notions of nationhood and the imaginary borders we use to separate ourselves from each other.

A. L. Major is a Bahamian-born writer, who graduated from Vassar College with Honors in 2011. Recipient of the Harry Moore scholarship and Vassar’s Ann E. Imbrie Prize in Fiction, she is a second year MFA Fiction candidate at the University of Michigan. She is currently working on her novel, Dismantle The Sun.

The Whale House,  Sharon Millar  (Trinidad & Tobago)

Sharon-MillarAs a woman recovers from a miscarriage, it resurrects an old conflict and a long kept secret. Bush medicine, teenage sexuality, and difficult moral choices culminate in this uniquely Trinidadian story – one of marriage and the secrets we keep from the ones closest to us.

Sharon Millar is a Trinidadian writer who lives in Port of Spain with her husband and daughter. She is particularly driven by the landscape of her homeland and her work touches on issues that affect her as a Trinidadian citizen and as a woman. The worlds of her stories are occupied by protagonists who struggle with moral issues, crime, illness, loyalty, betrayal, and all the other messy things that make up a life. Writing from a Caribbean island right here and right now allows her to illuminate complications that lie beneath the surface of a young state trying to move forward as a cohesive society. She is conscious of pushing past the Caribbean stereotypes of exoticism and tries to create characters that are universal in their desires and conflicts.

Mango Summer,  Janice Lynn  (Bahamas)

A fruitful summer. Mangoes everywhere. Mangoes ripening on street corners and dumped on doorsteps. Mangoes shoved into meals where mangoes never belonged. Arms full of hot, sticky-sweet orange fruit. In all that glut, all that sweet, little girls start to disappear.

Janice Lynn is a Bahamian writer.  She holds a Master of Fine Arts from the University of British Columbia, and has published in anthologies including Tongues Of The Ocean, A Sudden and Violent Change, and We Have A Voice.  Her writing has been shortlisted for the 2011 Small Axe 2011 Literary Competition and the 2012 Commonwealth Short Story Prize.  She spends much of her time abroad, but will always be a Nassau gal. 

The Complete Shortlists:

Commonwealth Book Prize

  • Sarah House, Ifeanyi Ajaegbo (Nigeria), Pan Macmillan South Africa
  • Disposable People, Ezekel Alan (Jamaica), self-published
  • Floundering, Romy Ash (Australia), Text Publishing
  • Running the Rift, Naomi Benaron (Canada), HarperCollins Canada
  • Mazin Grace, Dylan Coleman (Australia), University of Queensland Press
  • A Tiger in Eden, Chris Flynn (Australia), Text Publishing
  • The Unlikely Pilgrimage of Howard Fry, Rachel Joyce (United Kingdom), Transworld Publishers
  • The Headmaster’s Wager, Vincent Lam (Canada), Doubleday Canada
  • Island of a Thousand Mirrors, Nayomi Munaweera (Sri Lanka), Perera-Hussein Publishing House
  • The Death of Bees, Lisa O’Donnell (United Kingdom), William Heinemann
  • The Spider King’s Daughter, Chibundu Onuzo (Nigeria), Faber and Faber
  • Em and the Big Hoom, Jerry Pinto (India), Aleph Book Company
  • The Wildings, Nilanjana Roy (India), Aleph Book Company
  • The Great Agony & Pure Laughter of the Gods, Jamala Safari (South Africa), Umuzi
  • The Last Thread, Michael Sala (Australia), Affirm
  • The Other Side of Light, Mishi Saran (India), HarperCollins India
  • God on Every Wind, Farhad Sorabjee (India), Parthian
  • Sterile Sky, E.E. Sule (Nigeria), Pearson Education
  • Narcopolis, Jeet Thayil (India), Faber and Faber
  • Beneath the Darkening Sky, Majok Tulba (Australia), Penguin Books Australia
  • The Bellwether Revivals, Benjamin Wood (United Kingdom), Simon & Schuster UK

Commonwealth Short Story Prize

  • Not for Publication, Rachel Bush (New Zealand)
  • A Killing in the Sun, Dilman Dila (Uganda)
  • NORMAL, Susan Everett (United Kingdom)
  • Chutney, Debz Hobs-Wyatt (United Kingdom)
  • Fatima Saleh, Alexander Ikawah (Kenya)
  • The New Customers, Julian Jackson (South Africa)
  • Notes from the Ruins, Anushka Jasraj (India)
  • A Good Friday, Barbara Jenkins (Trinidad and Tobago)
  • Antonya’s Baby Shower on Camperdown Road, A.L. Major (Bahamas)
  • Mango Summer, Janice Lynn (Bahamas)
  • Things With Faces, Zoë Meager (New Zealand)
  • The Sarong-Man in the Old House, and an Incubus for a Rainy Night, Michael Mendis (Sri Lanka)
  • The Whale House, Sharon Millar (Trinidad and Tobago)
  • No War is Worth Debating, Tobenna Nwosu (Nigeria)
  • Take me Home United Road, Sally-Ann Partridge (South Africa)
  • Mortal Sins, Sinead Roarty (Australia)
  • We Walked On Water, Eliza Robertson (Canada)
  • Tug of War, Deborah Rogers  (New Zealand)
  • Raven, Tom Williams (Australia)

For more information, link to Commonwealth Book Prize shortlist at
http://www.commonwealthwriters.org/cbp-shortlist-2013/
and the Commonwealth Short Story Prize at
http://www.commonwealthwriters.org/cssp-shortlist-2013/

Amazon headquarters 02

Amazon is adding a new weapon to its arsenal that could help the online giant increase its dominance in the ebook and e-publishing market. It’s running a beta test on a cover-art generator that allows self-published writers using the Kindle Direct Publishing platform to design their own ebook covers. You can use the KDP Cover Creator to make a cover using your own image or select one from a gallery of royalty-free stock photos provided by Amazon. They are customizable with a variety of different font sets, colour schemes and text layouts. You can also make changes to your text and images, or replace the cover.

Amazon doesn’t say whether or not non-US KDP users have access to the KDP Cover Creator as yet, although word on the ground is that, for now, it’s only available to U.S. users.

As to whether not an author can use the same KDP-generated cover for other editions of the book sold through Smashwords, Kobo Books, Barnes & Noble and other digital platforms, is not clear. Some writers are also concerned about whether they will run into problems if they decide to use the same KDP-generated cover design to publish a print version of their book through other online booksellers like Lulu, Wordclay, CompletelyNovel.com or even Createspace.

In the wake of Amazon’s KDP Cover Creator disclosure came news that the company had coughed up $150 million to buy Goodreads.

Goodreads touts itself as “the world’s largest site for readers and book recommendations.” They added: “With the reach and resources of Amazon, Goodreads can introduce more readers to our vibrant community of book lovers.” They said they’re “looking forward to bringing Goodreads to the most popular e-reader in the world, Kindle, and further reinventing what reading can be.”

Goodreads claims that its app for Facebook is now “the number one book—related app on Facebook” and more than 2.5 million of users are using it. “In the last four weeks alone, we shared more than 20 million books on Facebook,” boasted Goodreads.

The Washington Post cites estimates by book industry researchers at Codex Group showing that that 11 percent of book buyers in the USA make about 46 percent of recommendations.

“The sorts of lit lovers who like to evangelize their favorite new novel are the same sorts of folks who tend to show up on Goodreads. And so, perhaps unsurprisingly, the site is a great platform for convincing people to buy books,” the Washington Post added.

No doubt all this is music to Amazon’s ears and all indications are it’s part of a calculated strategy to dig its heels in further and make its position in the book market virtually insurmountable.

Amazon CEO and founder, Jeff Bezoz

Amazon CEO and founder, Jeff Bezoz

Amazon CEO and founder, Jeff Bezoz told investors during the announcement of financial results for the company’s fourth quarter ended December 31, 2012, that e-books are a multi-billion category for Amazon and sales grew at approximately 70% year-on-year 2012.

“We’re now seeing the transition we’ve been expecting,” said Bezos. “After 5 years, eBooks is a multi-billion dollar category for us and growing fast – up approximately 70% last year. In contrast, our physical book sales experienced the lowest December growth rate in our 17 years as a book seller, up just 5%. We’re excited and very grateful to our customers for their response to Kindle and our ever expanding ecosystem and selection,” said Bezos.

The company also disclosed that at year-end, Kindle Fire HD, Kindle Fire, Kindle Paperwhite and Kindle held the top four spots on the Amazon worldwide bestseller charts since launch.

In recent months Amazon launched Kindle Stores for Brazil, Canada, China, and Japan, reportedly with “a large selection of the most popular books, including thousands of local-language books.” Amazon is estimated to control 45 percent of the e-book market.

Morgan Stanley’s Scott Devitt, a leading Internet and e-commerce analyst, recently told investors that he estimated worldwide e-book unit sales of 859 million in 2012, up from a previous estimate of 567 million. He believes that Amazon likely sold 383 million e-books last year, compared with an earlier estimate of 252 million.

According to Reuters, Amazon’s broader strategy is to sell mobile gadgets at or near cost and ultimately generate profits when consumers use the devices to buy digital content, including e-books, apps, videos, music and games.

Moreover, one analyst noted, “Amazon can solidify its presence in the ebook business through a secondary market for digital items and launching interactive ebooks.”

Forrestor Research estimates that the U.S. ebook market will reach $13.6 billion by 2017.

Posted by: caribbeanbookblog | March 15, 2013

Write up a storm: Foyle Young Poets 2013 Open for Entries

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The 2013 Foyle Young Poets of the Year Award is open for entries. The prize is for young writers aged 11 – 17 from across the world. Once again, the organizers are on the search for exciting new young poets. The British-based Foyle Young Poets of the Year Award is rated as one of the most prestigious international poetry competitions. Entry is free and the poems can be of any length and on any theme. The deadline for entries is July 31, 2013.

Last year’s competition attracted entries from a staggering 7,351 young people from 60 countries worldwide, reaffirming the Award’s status as one of the largest literary competitions in the world.

Each year 100 winners (85 commendations and 15 overall winners) are selected by a team of high-profile judges, and receive their awards at an annual prize-giving event on National Poetry Day, held this year on October 3, 2013.

Thanks to funding from the Foyle Foundation the competition remains free to enter and a wide range of prizes, opportunities and resources are offered to the young winners and participants.

Overall  Winners from the 15 to 17 age category attend a week-long intensive residential Arvon course where they develop their creative writing skills alongside fellow poets. Winners from the11-14 age group benefit from poetry residencies at their school, as well as distance mentoring.

British authors, Hannah Lowe and David Morley are the judges for this year’s award.

hannah lowe“I am absolutely delighted to be judging the Foyle Young Poets of the Year Award this year,” said Hannah Lowe. “I am certain we will discover some really exciting new voices,” she added. Lowe currently teaches literature and creative writing in London. Her pamphlet The Hitcher (The Rialto, 2011) was widely praised. Her first book-length collection Chick is published by Bloodaxe Books in 2013.

David Morley is an award-winning writer of nine books of poetry and the editor of six anthologies of new fiction and poetry.  He is Professor of Writing at Warwick University and was a judge of the 2012 T.S. Eliot Prize.

Sarah Henry from the USA is a former Foyle Young Poet of the Year. She is full of praise for the competition and urges young poets to take advantage of the opportunity to enter. “This journey has been transforming and surreal. I would encourage all young writers to submit to this competition while the chance still remains,” says Sarah.

Many of the former winners have gone on to publish work with major publishing houses such as Faber & Faber and Carcanet. The organizers also support them through a number of initiatives aimed at helping them establish themselves in the literary and publishing world, such as internships, editorial opportunities and showcasing events.

Take a look at the full rules and information on the prizes and opportunities.

You can find out more about the 2012 winners, whose poems can be read online and in the new Foyle Anthology Gorgeous like a thunderstorm.

Posted by: caribbeanbookblog | February 26, 2013

Psymon H and the Black Caviar Book Club

psymon h 2 2013

British author, Psymon Henry has gone out on a limb and taken a bold gamble.

Born in London, Psymon H, as he’s popularly known, has built a digital book promotion platform dubbed the Black Caviar Book Club. It’s designed to help authors promote their work and build a brand on the web, as well as engage with devoted readers who actively browse online book clubs for their next read.

Now bear in mind that sites like Goodreads and Shelfari also offer book promotional opportunities and are quite well known. What’s more, they’re already well ahead in the scramble by innovators to develop new models of book publicity that integrate social and digital media. Nevertheless, Psymon H is not daunted. He says he’s constantly mulling over new ideas on how he can make the Black Caviar Book Club Google’s number one book club.

He probably fancies his chances because he’s no stranger to overcoming adversity. Among the challenges he has had to face, he’s dyslexic and he has stared death in the face. Each time he has beaten the odds. In fact, the Black Caviar Book Club is a direct result of his brush with death, which is why a recounting of that ordeal is necessary in order to put everything into perspective.

In 2006 while driving back home in London, Psymon H’s car plunged 30 ft down a wooded embankment and ended up on its roof. A large tree branch shot through the passenger window, according to him, “like a catapult, stopping inches away from my head.”

His partner who was supposed to travel with him that morning ended up taking a taxi because he had misplaced his car keys and she had an important meeting that she couldn’t afford to miss. Had she been in the car, Psymon H has no doubt that she would have been decapitated.

“I believe that fate put me in that car alone that morning and when I look back on variables, it did make me think that the man upstairs made sure, for whatever reason, that it happened the way it did.”

As a result of the accident he suffered serious nerve damage in his right arm and fingers and he had to undergo therapy to learn how to use the arm all over again. Out of his tragedy he found the motivation to begin working on the manuscript for his first novel. It has since evolved into the Black Caviar Book Series, a psychological crime thriller set “under the bright lights and high-rise buildings of the Chicago skyline,” in the city’s drug underworld.

black caviar book club photo full

“The most interesting fact was that I wrote nearly all of my first book using just my left hand. Being right handed, this did present a challenge and taught me so much about myself … But most of all, this little hurdle kept the fire and passion burning deep inside.”

He didn’t stop there. “From my early days of running an advertising company in the nightclub industry, I supported the notion that the best advertisers were the self promoters who had a long-term plan and used a range of marketing strategies to get their message out.”

He devised a game plan to not only market his work, he also realised how he could use his IT knowledge to create an online platform where writers could interact with readers and market their work.

Enter the Black Caviar Book Club.

The site was launched in August 2012. Psymon H touts it as a “free promotional platform and connection hotspot” for authors to get added book exposure and connect with readers, bloggers and reviewers. They can use it to upload book covers and trailers, photos, place book blurbs and summaries and also reply to reader comments and reviews.

The site has an Authors Billboard which Psymon H says authors can use to turn a promotional page into their own web page, so that it becomes a “connection hotspot” where readers can check out the author’s books, ask the authors questions, star their web page and leave remarks and feedback for others to read and discuss.

“As the Black Caviar Book Club’s RSS feed is networked to a huge database with up to 10 unique links which spiders from them, when your Author Billboard goes live (usually within 24hrs), our feeds will essentially “broadcast” your page to among 500+ different RSS feed sources and to our growing Twitter following,” says Psymon H.

He added, “As we grow and more of our tier two and three pages get ranked on the first two pages of the biggest search engines, the opportunities for added free book exposure becomes that much more potent.”

readerslounge1The site also has a Readers Lounge with varied genre side rooms, from Fantasy and Psychological Thriller to Romance and Erotica.

Psymon H says it’s a place to discover unknown authors with promise and works that readers may have missed trolling through huge websites like Amazon.

A section dubbed Book Your Seat provides the latest news and views on all things to do with his Black Caviar book series, and also gives snippets from other authors and their latest books.

“We also give you the juice on interesting views and reviews from avid readers along with extracts and links from bloggers with something to say.”

The latest addition to the site is Interview With An Author, which features online interviews with authors. They answer four questions put to them based on their responses to an initial questionnaire. The interview is posted on the site on a search-engine-optimized page along with links to the writer’s blog or website, social media and book reviews, social media buttons to attract more followers, Amazon Buy Buttons, pictures and more. It costs $20.

Psymon H is hugely upbeat about the future prospects for the Black Caviar Book Club. “We are set for bigger and better things through 2013 and beyond with the inclusion of our sister site and Kindle EBook store, Black Caviar Bookshelf.com and the release of our Psychological Crime Thriller book series, Black Caviar.”

More about the Black Caviar Book Club – here’s Psymon H in his own words:

How have British writers and readers responded to the Black Caviar Book Club?

Psymon H: Good question. In June 2012, I started with just a Twitter account and spent two months making a nuisance of myself with funny tweets and great one-liners.  Looking back, I have to say I had great fun with some of my early Twitter followers who may have just seen me as another person with a big mouth and no website.

I guess at that time my thoughts were predominantly consumed with studying authors, the book market and how Indie Authors promote their work. Understanding how fierce and swamped the book market has become since the arrival of the Amazon Kindle, I didn’t want to become just another Indie Author treading water and battling for book exposure with the Black Caviar book series due for release later in 2013.

In August 2012, I started the Black Caviar Book Club with the idea that maybe it was time to pull out the tool box and use the promotional skills I was blessed with (from my early days in the night club industry.)

At first it wasn’t easy to attract visitors because I didn’t have my book series out and nobody knew who Psymon H. was, but it didn’t take long to see a hole in the market, and that was a good quality book-promotional platform, where authors could promote their book blurbs and get free exposure at the same time. Over the last few months, the Black Caviar Book Club has been praised by not only British writers and readers, but authors and book lovers from each corner of the globe including America, where I now reside with my new wife.

Are you managing the club all on your own?

Psymon H: The Black Caviar Book Club is currently managed by Me, Myself and I; and that is where good time management and having a plan comes into play. Admittedly at the very beginning, I had no idea how fast a one man book club could grow. The website has gone through many changes in the first five months, simply because honesty and focus on the bigger picture wouldn’t let me settle on a half-ass job. I’ve made a few mistakes at the beginning and took harsh criticism from a few peeps, but I focused on the strength and resolve of a fighting spirit which helped me write my first three books even though I suffer from dyslexia. Seeing the website grow with more authors and readers jumping on board, visitors to the site have given me the motivation and buzz to always try and improve the service.

Did you design the website?

Psymon H: Yes! It’s been one of the few skills I’ve learned along with website SEO. When I lived in England, my now wife and I spent many an hour speaking on Skype about which website tools and design would suit the Black Caviar big picture; it was time well spent.

Has it succeeded in attracting many readers and how often do they participate in club activities and interact with authors?

Psymon H: Without divulging exact figures, the Black Caviar Book Club attracts over 20,000 hits per month and being the kind of person I am, Psymon H is always making room for improvement by continually setting new goals and targets. Reader participation is the main focus and is steadily improving. It is true to say that wordsmiths who share the same view as I, that self-promotion is key to book sale success, have seen more reader interaction than the few who believe that readers should find their books by accident.

To date how many books are uploaded to the site?

Psymon H: Since the launch of the Author Billboards and Readers Lounge on September 24, 2012, I am pleased to say that the book club is promoting nearly 400 books (at the time of engaging in this interview.) With the addition of the Amazon buy buttons on each billboard, it has made it easier for readers to purchase a book without having to click through on multiple links. My plan is to extend the Readers Lounge into a genre mansion full of sub-genres difficult to find on other sites.

Generally, what feedback are you getting from participating authors?

Psymon H: It was great to wake up to Twitter and Facebook comments expressing how visitors have found the website to be an invaluable tool to both authors and readers. I have now placed some of these comments on the Black Caviar homepage. When many think of the definition of a “book club,” it’s easy to conjure up thoughts of reading enthusiasts sitting around a table discussing how well a book was written and if the author used the right wording to describe a scene. My goal was not to follow in the old book club footsteps, nor was it to mirror the great website GoodReads. I wanted to focus on providing a unique promotional experience for authors and a relaxing encounter for the reader.

I’m humbled yet thankful to all my website visitors and participants because without them, the book club would just be another website in blogosphere. It’s great to see the like button, the page share button and comment number increase on a daily basis. It’s a great indication that the book club is heading in the right direction.

Thank you for the interview opportunity and I hope your visitors find my website a helpful tool in unearthing those writing diamonds in the sand. Stay tuned for the book series everyone will be speaking about this year….

Check out Black Caviar by Psymon H, The Black British Author With A Story To Tell. Read the book-one summary now
http://blackcaviar-bookclub.com/bookworm.html

Black Caviar is also on Facebook

Posted by: caribbeanbookblog | February 8, 2013

Bristol University Celebrates the Life of Brother George

George odlum

In observance of Black History Month, held annually in October in the UK, the University of Bristol Students’ Union, over the past couple of years, have been celebrating the life and achievements of one of St Lucia’s most illustrious sons, George Odlum. Brother George, as he was affectionately known at home and in much of the Caribbean, made history as Bristol University’s first Black Students’ Union President.

Back in 1956 he left St Lucia to study English and philosophy at Bristol University. This marked the commencement of a journey in what would turn out to be a life of remarkable accomplishments during which he gained near legendary fame for his political and mobilisational struggles at home and in the region. He was also admired for his intellectual prowess, his oratorical skills and erudition. What mde him especially popular was his  warm personality and he was very accessible – a veritable ‘man of the people.’  George who was also an Oxford graduate among other things, served as Deputy Prime Minister of St Lucia and as the island’s Foreign Minister and its Ambassador to the United Nations. Sadly, he passed away in 2003.

What is less well known is the extent to which George had distinguished himself at Bristol University, his alma mater. In a captivating and highly informative article, Chief Executive of the University of Bristol Union, Samantha Budd, tells the moving tale of Bro George’s early years, showing how he became a voice for all of Bristol’s students and a man with a sense of purpose who “developed a vision of hope for change.” With Ms Budd’s kind permission, I’m pleased to publish her article as today’s blog.

 

As the daughter of a black man who, like George Odlum, left a small Caribbean island in the 1950s in search of the opportunities that the Mother Country could offer, I am only too aware of the strength of character and sheer determination that was required by this generation of colonial pioneers, as they overcame the barriers of racism and prejudice that existed in post war Britain at that time. It is within this context that the story of George Odlum, the student at Bristol University, must be understood. The times in which he lived make the man and his numerous achievements stand out as genuinely extraordinary, in the truest sense of the term. Clearly, even from his student days, George Odlum was destined for greatness.

The young George arrived to study English at Bristol University in the mid 1950’s at a time when the city of Bristol was just starting to recover from a war that had devastated the city through an enemy campaign of intensive bombing. Food rationing had just come to an end and attitudes to foreigners, in particular, black visitors, would have been generally less than welcoming.

Britain was on the cusp of significant social change.   Oswald Mosley’s Fascist Union Movement was still active; the infamous Notting Hill riots were still a year away; and the small port city of Bristol was a place where only two years previously the Passenger Group of the Transport and General Workers Union had said that ‘if one black man steps on the platform as a conductor, every wheel will stop.’ (It wasn’t until the boycott of the Bristol Omnibus Company in 1963 that the odious employment colour bar was stopped. In fact, the 1963 protest in Bristol helped to establish the UK’s 1968 Race Relations Act, an historic piece of legislation that started to tackle both overt and systemic racism in Britain.)

Against this national and local background of challenge and racism, we must hope that within the University community, George would have found a more enlightened and tolerant reception, which even at that time was reasonably international: in 1958 students from 28 countries around the world were studying at Bristol (this compares to students from just 3 countries when the university was founded in 1909, and students from over 100 nations today). Bristol University was nearing its 50th anniversary when George Odlum began his studies, and was even then considered one of the better established UK universities, often considered as a strong choice for candidates who might also consider Oxford or Cambridge.

Far from home and alone in a provincial city in the South West of England, George, like many of his fellow students, gravitated towards the Students’ Union. The Union was a social hub where students could relax, meet each other for a drink, or partake in a favourite hobby or pastime. George may not have easily been able to socialise in the wider Bristol community but it is clear that he was not a man who was going to hide in the shadows; it is also clear that he was gregarious within the University community. Indeed, he must have struck quite a chord with his fellow students because in 1958 he was elected by his peers to be the President of the Students’ Union. This position is very prestigious and has provided the stepping stone for many a great career in politics, business and beyond.

TRIUMVIRATE – Majorie Loud (ladies’ president), George Odlum (president) and Roddy Hughes (vice president) – Courtesy ‘The Western Daily Press’

TRIUMVIRATE – Majorie Loud (ladies’ president), George Odlum (president) and Roddy Hughes (vice president) – Courtesy ‘The Western Daily Press’

As President, George was the figurehead of the Student’s Union and thus represented the students at university functions and events as well as on the national stage of student politics. The photograph below shows George, as President of the Union, welcoming her Majesty the Queen and the Duke of Edinburgh during their visit to the University in 1958, to open the Engineering building. He would also have needed to command an audience through fine debating and oratory skills. To have been a Union President, then as now, required above ordinary levels of confidence and charisma. To have achieved this, as the son of a barber, a black man from a small Caribbean island, really was exceptional. Indeed even today, over 50 years later, George’s feat remains remarkable as there has only been one other UBU President of Caribbean heritage, Rob Mitchell ( 1991-1992). Notably, George appears to have been the first black President ever of any Students’ Union in Britain.

George Odlum and Marjorie Loud ( Lady President) in 1958 on the occasion of Her Majesty Queen Elizabeth II and The Duke of Edinburgh’s visit to the University) Courtesy of the Bristol University Special Collection

George Odlum and Marjorie Loud ( Lady President) in 1958 on the occasion of Her Majesty Queen Elizabeth II and The Duke of Edinburgh’s visit to the University) Courtesy of the Bristol University Special Collection

Beyond his studies and his role as President of the Union, George had a full and interesting student life. He had a reputation as a successful debater and played both football and cricket. He was a ‘marvellous ballroom dancer’, as Margaret Loud told the Warden of Manor Hall in the early 1990s, while attending a University reunion. Many of the personal recollections refer to George as being ‘attractive’, ‘handsome’ and ‘charming’ and it is therefore perhaps not surprising that, in 1958, his portrait should have been chosen as the centrepiece of an art exhibition.

There has always been a strong theatrical tradition at Bristol University and between December 1957 and January 1958 the university hosted the National Union of Students (NUS) and the Sunday Times Drama Festival. The event was addressed by the acclaimed actors Peter O’Toole, Sam Wannamaker and Christopher Fry. George was also an accomplished thespian, having taken part in a BBC play during his time at North West Polytechnic, in London, prior to arriving at Bristol University. At Bristol he took part in DramSoc and Revunions productions and had the remarkable accolade of acting in the premiere of Harold Pinter’s critically acclaimed first play, The Room, which was presented at the Drama Studio of the University of Bristol in May 1957.

Auriol Walters (nee Smith)who also appeared in The Room, recalls George as being ‘ an exceptional actor’ as well as being ‘ tall, good looking….an easy person to get along with… he was great fun’. She also remembers that George was an eloquent speaker with the ability to engage an audience, which came through in his acting.’  

Today it might jar that George found himself as the ‘blind negro’ in this play. However, Pinter’s play was in keeping with George’s emerging radicalism. Pinter’s play was not a traditional, classic play; it was somewhat avant-garde, described in the Sunday Times in 1958, as being a play ‘that makes one stir uneasily in one’s shoes, and doubt, for a moment of the solidity of the earth.’

We reflected earlier on the challenging social context in which Bristol – and Britain – operated in the late 1950s. Indeed, given George’s later political successes, he must surely have been attuned to the groundswell of uprising that was emerging amongst his fellow Caribbeans living in communities throughout the major cities of England – including Bristol, where a Caribbean community was starting to congregate, in the area of St Paul’s.

Bristol University’s Student Union was a founding member of the NUS. After the war the NUS was instrumental in establishing the International Union of Students (1946) and in 1952 it joined other student organisations and established the International Students Conference. George had been on the  Committee of the Union’s International Society and it was in this increasingly internationalised backdrop that George began to operate on the national stage of student politics.

The NUS Council were debating issues that would have fired George’s passion and provided him with the platform to demonstrate his emerging political and oratory acumen. Issues debated included: support for the ‘Problems faced by colonial students’ (1957); ‘Condemnation of apartheid and violations of academic freedom in South Africa’ (1957); ‘Condemnation of the policy of the French Government in arresting the officers of the Algerian Students’ Union’ (1958) and the motion that George himself presented at the Easter Conference in 1958 calling for more cooperation between East and West. The motion was passed unanimously and the Union newspaper, Nonesuch News, reported, ‘It should be noted that only on rare occasion does a Council act in such unison.’

There is so much more that could be written about George Odlum’s time at Bristol University and the following pen portrait that appeared in Nonesuch News, May 1958 (the term before George took up office as President), provides a poignant summary of a man who had already developed a vision and sense of purpose in his formative, student days.

‘ In light summer clothes and open-necked shirt sits a West Indian with a fluent grasp of English and an obsession for the betterment of human relationships.

He is GEORGE ODLUM, and is the next President of the Union, and he is sipping Lager in an English Public House. His virtues have been catalogued, and his past ransacked by many newspapers, and there is little left that is not known about him, little except his human qualities.

And of these, the greatest is his desire for brotherhood. He considers the function of the President as one of a glorified liaison officer, attempting co-ordination and preserving contact between University and Union, Union and Community. And he believes the constitution of the Union is good as it is, consultative, representative, democratic.

Akin to many others with some faith in the man, he is against the H bomb, would have us set an example of mutual trust by abolishing it, taking a chance on the moral issue. Western civilisation has made him feel slightly insincere in being civilised, it is pretentious, diplomatic to the point of dishonesty. It is hard to hit the happy medium and be honest with yourself within limits. And he has found adaption hard and is making social decisions every minute. 

Education for him is no education until it is Liberal and not specialised, for he believes that an individual owes a duty to himself not to make himself a one track man, and therefore lacking in balance.

His own interests lie, and will lie, in the cultural fields; he would like to write a play for the benefit of the richness of the West Indian idiom, and he is unashamedly nationalistic about his fatherland, longing for a cultural revolution to go with the national.

Not on his own accord, but through various influences, he thinks he is heading towards politics, and he feels his country’s position deeply. ‘Living here in England, you get the feeling that you are in touch with the nerve centre of the world’. And he feels something lasting beneath the surface, the rock like foundations of tradition, and he regrets the lack of such roots in his country.

My country is an emerging country’, he says, he feels his people are in relation more alive. And also they have a great deal to achieve. 

George Odlum embodied the values of Bristol University. He was pioneering, brave and prepared to step into the unknown in order to make a difference. Bristol University students have always been proud of their own and in 2004 one of the rooms in the Students’ Union was renamed the Odlum Room. Bristol’s Students’ Union building is now (in 2011) undergoing a huge refurbishment programme and the Odlum Room is being redeveloped and will become part of a multi million pound International Foundation Centre. The University have agreed that George’s legacy should remain alive and the New Odlum Room will be at the heart of this new centre. This is entirely fitting, given George’s experience during his time at Bristol and the issues that were important to him throughout his career in both Caribbean and international politics.

Posted by: caribbeanbookblog | January 16, 2013

Derek Walcott: ‘I am ashamed of my country’

D

If there’s one thing that pisses off Derek Walcott, it’s the Caribbean governments’ blatant disregard for the development of the literary arts and their seeming indifference to the plight of the region’s writers and artistes.

Over the years he has had some choice words for successive governments in his homeland, St Lucia, citing the absence of a theatre and a museum on the island – to this day – as a shame and a betrayal of the people. He’s in St Lucia for Nobel Laureates Week (January 20 – 26) a celebratory event organized annually by the government in honour of the island’s two Nobel Laureates, the late Sir Arthur Lewis and Walcott himself. Sir Arthur was awarded the Nobel Prize in Economics in 1979 while Derek Walcott received the Nobel Prize for Literature in 1992. Both men were born on January 23.

The press caught up with Walcott and took the opportunity to solicit comments from him on the state of the arts in St Lucia. Initially, his response was measured, evincing his awareness of the economic challenges facing the island.

“I don’t want to make a judgment that is going to incriminate any one party or any government. Saint Lucia is going through a very tough economic crisis and naturally the arts suffer. What we have to do is keep thinking that no matter what the crisis, the arts are a necessity. But we have to have the money to sustain them. So, yes, more should be done but we need to look for subsidies for sustaining the arts. We still do not have a museum or a theatre – and that’s criminal. And no party should excuse itself for not doing that for the people. These things are not for the artistes, they are for the people of Saint Lucia.”

Walcott was a bit more acerbic when he was informed that the year-old St Lucia Labour Party government had created a new ministry called the Ministry of Creative Industries. He seemed shocked at the title.

“That’s the name of a ministry? Someone who was creative did not do it? It’s not a nice title. I don’t know what creative industries means!”

The world-famous Pitons: photo credit, The Star

The world-famous Pitons: photo credit, The Star

But what really ticked Walcott off was when a reporter told him about the new multi-million dollar luxury resort dubbed Freedom Bay that is about to be built in Soufriere, on the island’s west coast, in the vicinity of the celebrated Pitons. The developers are the five-star Six Senses Resorts and Spas Group, owners of 26 resorts and 41 spas, most of them in Asia and the Middle East. The Pitons, which are known the world over, are a UNESCO World Heritage Site, and as one travel writer noted, they’re “even more beautiful in real life than they are on film or postcards.” In order to gain World Heritage status for the twin peaks, the government had to designate a 2,909 hectare site near the town of Soufriere, inclusive of the Pitons linked by the Piton Mitan ridge, as a Terrestrial Conservation Zone subject to strict controls on housing, resort and agricultural development. It’s called the Pitons Management Area (PMA). However, according to the World Conservation Monitoring Centre, 68% percent of it is in private hands and risks being approved for luxury development.

“Where is this hotel going to be located?” Walcott demanded. “Have they begun it yet? When are they starting? And exactly where is this place? Will you see it in any projection of Petit Piton? And nobody has objected to it? They have not objected to it in parliament? So the deal was approved by the Saint Lucian government. I am ashamed of my country because that’s whoring and you can quote me on that. If you are telling me right, that there is going to be a hotel built at the base of Petit Piton, visible as a hotel, then that is whoring and I am ashamed of my country. There can still be time for protest but what can you say when a country approves of its own disfigurement?”

He wasn’t done yet. “How can they find the place to build a hotel at the foot of the Pitons and they can’t find a spot to build a museum. That’s the rage that I have, the anger that I have. When I see something like that happening in comparison to what is not happening and the excuses being given . . .  My brother Roddy died working for the arts in Saint Lucia. He never saw a museum go up or a theatre go up. I suppose I too will die and not see it happen either—it is shameful.”

Within 24 hours of his rebuke, the Permanent Secretary in the Ministry of Sustainable Development, Sylvester Clauzel, responded on local TV station HTS, in a bid to clear the air. He indicated that the Freedom Bay project falls within the region where construction and development are allowed, and is in keeping with the rigid criteria for development, as well as the guidelines of the World Heritage Committee. He said the resort “is not visible and does not imperil the site’s outstanding universal value.”

Vouching for the resort owners, he assured the public that they had vowed to adhere to the government’s development guidelines and principles for the area. The developers also promised that the property would have a low profile and low carbon footprint, he added.

He conceded, however, that there are procedural issues which need to be addressed “regarding what type of developments are allowable to ensure they do not undermine the integrity of the natural environment.”

Irrespective of whether or not Walcott had been misguided as to the exact location of the Freedom Bay project, on the basis of precedence he has legitimate cause to be concerned.

According to the World Conservation Monitoring Centre a land use policy exists with regards to the Pitons Management Areas but it had been “ineffectively exercised by the ministry of Physical Planning and Development.” It added, “Despite the integrated [Land Use and] Development Plan and specific guidelines, the designation seems to have accelerated the sale of plots for resorts and multiple homes on the almost pristine and visually sensitive land between the Pitons.”

Pitons Management Area

Pitons Management Area

In recent years the administration of the Pitons Management Area had been so lax the World Heritage Committee (WHC) threatened to place it on the List of Heritage Sites in Danger, with the strong possibility of the Pitons being censured or delisted – a direct result of government approvals for developments that breached the WHC’s conventions. In July 2012 the Sustainable Development Minister, James Fletcher managed to gain a reprieve from the WHC by assuring it that the St Lucia government would change the governance and administrative structure of the PMA by, among other things, extracting it from the Ministry with responsibility for Physical Planning.

All the same, it was the planned construction of a hotel at the base of Petit Piton back in 1991 that ignited a conflict between Walcott and the then St Lucia government headed by former Prime Minister Sir John Compton. At the time the government gave the nod for the construction of the Jalousie Plantation resort in an area recognized as an Amerindian burial site. During the construction of tennis courts a large chunk of the site was bulldozed and indiscriminately covered over.  Subsequently, conflicts ensued between fishermen from the area and the hotels’ security guards when the guards tried to keep them off the beach which was deemed private property. Walcott joined members of the St Lucia National Trust and local environmental activists in condemning the project. He decried it as a sacrilege and said it was like ‘opening a take-away concession in Stonehenge’. The construction went ahead anyway and, to date, the hotel is still functioning.

In his book Lapses & Infelicities, publisher of the St Lucia-based Star newspaper, Rick Wayne gives a riveting and detailed account of the Jalousie saga, and quotes a foreign reporter who observed about the government’s motives, “All they care about are the rich tourists they felt certain would come in droves to Jalousie once their resort was open for business. Visitors will have no reason to venture outside the periphery; every luxury will be provided for their enjoyment.”

Characteristically outspoken and forthright, Walcott is known to be a man who doesn’t normally pull his punches, not even in the midst of Nobel Laureates Week celebrations at which he’s the guest of honour. This time around he is not only disappointed in his country, he is clearly hurt. The government surely could not have been surprised by his reactions.

This article has been revised to reflect the following correction:

Correction: January 18, 2013

In the earlier version of this article part of Walcott’s comments (alluding in part to his brother Roddy) was inadvertently omitted. That part of the quote has been inserted.

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